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What does this say about the relationship of nation, state, and faith in Iran?
In September 2011 the Stedelijk Museum Schiedam is staging an international exhibition about nul, the first to be held in the Netherlands for half a century.By approaching the theme of sanctity from multiple disciplinary perspectives, this highly original collection pushes forward current academic thinking about medieval hagiography, iconography, social history, women's studies, and architectural history. (1993) in Art History, Columbia University, is Deputy Director of the Glasgow Centre for Medieval and Renaissance Studies, University of Glasgow.See example of her article on the holy and unholy in representation. Her major publications include Saracens, Demons, and Jews: Making Monsters in Medieval Art (Princeton, 2003).Personal objects belonging to Beckmann frequently appear in the foreground, like remnants of still lifes, making the viewer aware of the artist's presence.On the other hand, the paintings are realistic reproductions of places he visited, for which Beckmann also made reference to photographs or postcards.
Given the current generation of artists' rediscovery of such elements as time and space, light and motion, the achievements of these artists are now more relevant than ever.